| 1. | | these type of wave pattern changes are considered permanent |
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| 2. | | the profile that has a prominent forehead and chin, with other features receded inward |
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| 3. | | the profile that has a receding forehead and chin |
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| 4. | | the kind of part that is used for a receding hairline or high forehead |
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| 5. | | ___________ back partings are used to create the illusion of width or height in a hairstyle |
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| 6. | | the principle that draws the eye first, before it travels to the rest of the design. |
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| 7. | | the silhouette is usually the part of the overall design that a client will respond to ________ |
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| 8. | | the number of equal parts the face should be divided into to measure symmetry |
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| 9. | | the area, also known as bang area, that is triangular section that begins at the apex, or high point of the head and ends at the front corners |
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| 10. | | can come from almost anywhere, at any time |
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| 11. | | the kind of color that draws a line in a hairstyle in the direction you want the eye to travel |
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| 12. | | the type of hair that offers the most versatility in styling is wavy, ________ hair. |
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| 13. | | the "ideal" facial shape |
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| 14. | | the outline of the face, head or figure seen in a side view |
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| 15. | | a client's facial shape is determined by the position and ___________ of the facial bones. |
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| 16. | | the profile that is considered ideal. |
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| 17. | | an example of this type of line, is the one-length hairstyle |
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| 18. | | Form or mass may also be called _______ |
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| 19. | | Design texture refers to ______ patterns that must be taken into consideration when designing a style for your client. |
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| 20. | | for a narrow forehead, lighter highlights may be used at the temples to create the illusion of ________ |
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