1:00
en
CR
Pottery 1 Review
31
Value: An element of art concerning lightness and darkness
Form: An element of art that is 3D and encloses space
Analysis: The step of the art criticism process where the Elements and Principles of Art are discussed
Interpretation: The step of the art criticism process where you personal ideas are expressed about the artwork's meaning
Description: The step of the art criticism process where you list the obvious characteristics about what you see
Judgement: The step of the art criticism process where you determine if the artwork is successful for its intended purpose
Texture: An element of art that concerns how something feels or looks like it would feel
Applique: Decorative technique that involves adding molded clay to a clay surface
Slab: A flat, "pancake like" piece of clay often cut from a larger sheet
Handbuilding: Pinching, Coiling, and using a slab are examples of _________.
Banding Wheel: A hand-operated turn table that allows the artist to view the pottery from all sides; allows for a 360 degrees rotation
Incise: The process of removing clay by carving it away
Piercing: Using a variety of tools to cut holes in clay as a decorative quality; utilized negative space
Gravity: Wet clay is weaker than dry clay, and wet clay can "slump" or collapse due to this
Slip: A mixture of clay and water, often used as a glue to join clay pieces together
Wedging: Eliminating air bubbles to prevent the clay from exploding in the kiln
Plasticity: Quality of clay that allows clay to be physically manipulated without breaking
Greenware: unfired pottery that can be recycled; plastic, leatherhard, bone dry
Pinching: Squeezing the clay between the thumb and fingers to form a small bowl
Stamping: A decorative technique, pressing patterns into clay
Earthenware: Low-fire clay that remains porous after firing
Underglaze: colored paint for clay, applied before the clear glaze
Score: To draw cross-hatching lines in clay to prepare the area of attachment
Foot: A base of the vessel upon which it stands
Coiling: One of the handbuilding techniques using long ropes of clay to construct a piece
Rib: A rubber or metal tool that is used to smooth clay and blend coils
Vessel: A container usually associated with holding liquids
Bisque: The first firing, making the clay a permanent structure, but still porous
Clay: A natural product developed by the earth, made from decomposed rock and kaolinite particles
Sponge: Using a damp _________ is the best way to clean excess clay dust
Proportion: A principle of art that concerns scale and size relationships
Template: A pattern or stencil used to help form the profile of your clay piece
Pottery 1 Review
Across:| 2. | The step of the art criticism process where you determine if the artwork is successful for its intended purpose | | 4. | Squeezing the clay between the thumb and fingers to form a small bowl | | 7. | The process of removing clay by carving it away | | 8. | Quality of clay that allows clay to be physically manipulated without breaking | | 9. | A mixture of clay and water, often used as a glue to join clay pieces together | | 12. | A rubber or metal tool that is used to smooth clay and blend coils | | 15. | A pattern or stencil used to help form the profile of your clay piece | | 17. | The step of the art criticism process where you personal ideas are expressed about the artwork's meaning | | 18. | One of the handbuilding techniques using long ropes of clay to construct a piece | | 19. | An element of art concerning lightness and darkness | | 22. | A flat, "pancake like" piece of clay often cut from a larger sheet | | 23. | Low-fire clay that remains porous after firing | | 24. | unfired pottery that can be recycled; plastic, leatherhard, bone dry | | 25. | Using a variety of tools to cut holes in clay as a decorative quality; utilized negative space | | 26. | The step of the art criticism process where the Elements and Principles of Art are discussed | | 27. | Wet clay is weaker than dry clay, and wet clay can "slump" or collapse due to this | | 28. | Using a damp _________ is the best way to clean excess clay dust |
| | Down:| 1. | Eliminating air bubbles to prevent the clay from exploding in the kiln | | 3. | Decorative technique that involves adding molded clay to a clay surface | | 5. | The first firing, making the clay a permanent structure, but still porous | | 6. | The step of the art criticism process where you list the obvious characteristics about what you see | | 10. | A container usually associated with holding liquids | | 11. | Pinching, Coiling, and using a slab are examples of _________. | | 13. | To draw cross-hatching lines in clay to prepare the area of attachment | | 14. | A base of the vessel upon which it stands | | 15. | An element of art that concerns how something feels or looks like it would feel | | 16. | A hand-operated turn table that allows the artist to view the pottery from all sides; allows for a 360 degrees rotation | | 18. | A natural product developed by the earth, made from decomposed rock and kaolinite particles | | 20. | colored paint for clay, applied before the clear glaze | | 21. | An element of art that is 3D and encloses space | | 22. | A decorative technique, pressing patterns into clay |
| |
© 2017
PuzzleFast.com, Noncommercial Use Only
Pottery 1 Review
Across:| 2. | The step of the art criticism process where you determine if the artwork is successful for its intended purpose | | 4. | Squeezing the clay between the thumb and fingers to form a small bowl | | 7. | The process of removing clay by carving it away | | 8. | Quality of clay that allows clay to be physically manipulated without breaking | | 9. | A mixture of clay and water, often used as a glue to join clay pieces together | | 12. | A rubber or metal tool that is used to smooth clay and blend coils | | 15. | A pattern or stencil used to help form the profile of your clay piece | | 17. | The step of the art criticism process where you personal ideas are expressed about the artwork's meaning | | 18. | One of the handbuilding techniques using long ropes of clay to construct a piece | | 19. | An element of art concerning lightness and darkness | | 22. | A flat, "pancake like" piece of clay often cut from a larger sheet | | 23. | Low-fire clay that remains porous after firing | | 24. | unfired pottery that can be recycled; plastic, leatherhard, bone dry | | 25. | Using a variety of tools to cut holes in clay as a decorative quality; utilized negative space | | 26. | The step of the art criticism process where the Elements and Principles of Art are discussed | | 27. | Wet clay is weaker than dry clay, and wet clay can "slump" or collapse due to this | | 28. | Using a damp _________ is the best way to clean excess clay dust |
| | Down:| 1. | Eliminating air bubbles to prevent the clay from exploding in the kiln | | 3. | Decorative technique that involves adding molded clay to a clay surface | | 5. | The first firing, making the clay a permanent structure, but still porous | | 6. | The step of the art criticism process where you list the obvious characteristics about what you see | | 10. | A container usually associated with holding liquids | | 11. | Pinching, Coiling, and using a slab are examples of _________. | | 13. | To draw cross-hatching lines in clay to prepare the area of attachment | | 14. | A base of the vessel upon which it stands | | 15. | An element of art that concerns how something feels or looks like it would feel | | 16. | A hand-operated turn table that allows the artist to view the pottery from all sides; allows for a 360 degrees rotation | | 18. | A natural product developed by the earth, made from decomposed rock and kaolinite particles | | 20. | colored paint for clay, applied before the clear glaze | | 21. | An element of art that is 3D and encloses space | | 22. | A decorative technique, pressing patterns into clay |
| |
© 2017
PuzzleFast.com, Noncommercial Use Only